Thursday, 25 April 2013

RJ Feedback part 1.


After reading your RJ, it’s clear that you have identified habits you have employed over the years which can sometimes be detrimental to your overall intentions. One that is a constant theme in your work is the battle between action and symbolism. Which as you noted is clearly outlined in the Pablo book. My thoughts on this aspect is that this struggle to overcome work that acts as statement while trying to be true to the action/situation that it derived from becomes a trap that I think anyone who works with this type of subject can easily fall into. It is also an issue that I have come up against while writing my PhD proposal on how to conduct a very public orientated practise within an institution.

I feel that you are continuing this trait with your final degree show work; this maybe because of the shows set-up (white cube) or that you are now on the edge of a cliff and your instinct is to move back as appose to jump. This metaphor is about the ‘risk’.

You have also identified the field of object making that by your own admition, you have little experience with. This is not a derogatory statement but one that allows me to emphasise that sometimes inexperience can allow you to explore static objects and making with a clear mind, which is starting to show in your current making.

One of the least important but one that will be of use in the future is this idea of categorisation. Firstly you are an artist, your work can span across all ‘isims’ and types; the context you employ has no bearing on what artist you are at all, just how the work will function.

Control is another element you seem to crisis yourself for. Which I think you are right to. When you work with public and on very public subject matters it is best to create a space within the work where you can let it be. As you have experienced with the Trace performance, the public will intervene and that is something you had not factored in. the public is the most organic material an artist can work with and to understand that trying to control any given public situation will be counter-productive.

Fly posted wall: Norway



Wednesday, 24 April 2013

Project Idea

THE BIG FEED

Possible Changes to the sign?


BA Degree Show: Lydia

Link below might be of use to you.

http://www.abc.net.au/radionational/programs/creativeinstinct/rural-artists-with-a-wide-orbit/4232856


Food for thought:
 

OBJECT IN USE.


Thoughts on Trace


The provocative natures of the trace performance lead me to question what was the work; the public or the act.

Watching the film back it’s evident that the public have played a large part of this works success while screaming "love, love... your bag has a hole in it!"

I was taken aback at the public’s eagerness to inform Lydia of the stream of glitter she was leaving behind.

I work at a local bookshop and 90% of the conversations I had with customers was regarding the dusting of glitter throughout Salisbury City. I didn’t confess that it was partly my fault, as I found it to be quite revealing; I became a fly on the wall.