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Arts relation to education
·
Importance of skill exchange, peers matching and
reference service to educators at large
·
Internet/virtual forums as a way of connecting
artists across geographical and cultural boundaries
·
Collective intelligence
·
Networking decision making
·
Distributed collaborations
·
Cultural apartheids
·
Collapsing disciplinary divides
·
Focus in the understanding of individual socializing
experience
·
Bourdieu’s term ‘cultural production’
·
Distinction between artist and teacher
·
Learning to learn
·
Pedagogy not concerned with succeeding but with
trying
·
How could assessments keep up with the
revolutions in practise?
·
Why are you an artist?
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Why did you need education?
·
Why are continuing?
·
Why do you rally against the system?
·
Help towards independence rather than independence
being thrust our throat
·
There was an over powering sense of a vacuum in
the college (bubble concept)
·
Completion
and jealousy is breed
·
What you do with what you know
·
A person who asks themselves questions better
not try asking others
·
To what extent has our political changes
influenced our art schools
·
Recognise the social aspect of leaning and
conversation, interaction with others and application of knowledge’s and integrated
aspects of learning
·
Gallery as educational spaces: Room 13 art space
·
Using the very authority vested in institutions
such as schools in order to work against the grain of such authorities
·
One artist is not enough: many-sided organism
that has the capacity to evolve
·
Society is pre-choiced: our culture gives the illusion
of choice
·
Talent – creative – attitudes
·
School community
·
Pilot programs
·
Learned therefore deserved
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